3,737 Royalty-Free Audio Tracks for "Piano Harp"

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Maurice Ravel: Gaspard de la Nuit - Ondine

Mozart Piano Concerto K482 opening

Recorded on Dec 2nd,1889. Brahms plays J.Strauss.

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement II: Lebhaft, marschmäßig (Vivace alla marcia) Klaviersonate Nr. 28, 2. Satz

While cleaning up i found a cd-r with harp samples that i recorded in lengfeld a few years ago. Recorded with zoom h2 ,processed with audacity. Here you are.

The basic sounds are three samples ,taken from my kawai-k1. I resampled them,denoised them and put them into my yamaha moxf6-synth.

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Piano Sonata No. 21, 1st movement, second subject

A pluck on a jew's harp. Recorded late at night in my bedroom on a samsung mp3 player. I enhanced it to the best of my abilities in audacity since the original recording had a low bitrate (64kbps mp3), the volume was low and it had a lot of static noise. Unfortunately the recording have a lot less warmth to it than the instrument has in reality. I am not sure of the tone of the harp but i believe it is a c, if it is not please let me know. 1 of 15.

A short jingle that represents a successful action, end of level in a video game, or any other kind of job well done.

Бетховен Людвиг Ван - Соната 8 для ф-но Патетическая в до миноре, Op. 13 - 2. Adagio cantabile

Schubert Sonata in B scherzo bars 21-24

Sonata no. 16 in c major, k.545 'sonata facile' - i. allegro.

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

Harp and soprano sax solo by myself.

Thumb harp.

Chorusharp,created with audacity. Analysis and resynthesis of an electric harp sound. For the plucknoise i added a filtered white noise. No samples used,my own creation.

Short sample of a jaw harp. . .

Cloud Kisser (1911), by Charles L. Johnson

Ethiopia Rag

Cloud Kisser (1911), by Charles L. Johnson

https://musescore.com/james_brigham/scores/1794851

MIDI file of 'Boona Schottische' 1899 by Australian composer Christian Helleman, probably named for Boona Mount Lachlain Shire, New South Wales

Ethiopia Rag

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

boing effects created with a jews harp, recorded with a rode nt1a condenser mic.

Four samples of a celtic harp. (d4-a4-d5-f#5)looplenghts: 150-100-75-119(59,5). My own production.

My own creation. Five samples of a celtic harp,which have the followingloop-length: 336-200-150-100-67 (c3-a3-d4-a4-e5).

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.

Noise i made with a jews-harp. Recorded on zoom h6 with sennheiser ew100g3 cardioid microphone.

Marsz żałobny c-moll op. posth 72 nr 2Chopin's Funeral March, Op. posth. 72 no. 2; performed by Aya Higuchi; via Musopen.日本語: ショパン作曲『葬送行進曲』作品番号72-2、ヒグチ・アヤによる演奏。Musopenより入手。

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

Joshua Bell, Awadagin Pratt, and Alisa Weilerstein Perform Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49 – 4. Finale: Allegro assai appassionato, at the White House Evening of Classical Music on November 4, 2009.

Sonata no. 13 in b flat major, k.333 - ii. andante cantabile

Recording of Scott Joplin's Maple Leaf Rag

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano. Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I used the `pluck`-function of audacity,to create this sound.